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Memories are pictures in our head that we archive and keep no matter its nature. If it is a good memory then we try so terribly to hold on to it, remembering each detail to be able to reminisce the good old times. If it a bad memory then we try to forget it and put it in the back of our heads so that it can never haunt us. Memories are what make up our personalities, our preferences, and affect even our decisions for the future. It is something that you should treasure, the good and the bad because it is what makes who you are right now.
Browse through our collection of poems at 1Love Poems for your next writing inspirations and ideas, and have your readers talking about the themes that you love.
In Memory Of My Mother
by Patrick Kavanagh
I do not think of you lying in the wet clay
Of a Monaghan graveyard; I see
You walking down a lane among the poplars
On your way to the station, or happily
Going to second Mass on a summer Sunday –
You meet me and you say:
‘Don’t forget to see about the cattle – ‘
Among your earthiest words the angels stray.
And I think of you walking along a headland
Of green oats in June,
So full of repose, so rich with life –
And I see us meeting at the end of a town
On a fair day by accident, after
The bargains are all made and we can walk
Together through the shops and stalls and markets
Free in the oriental streets of thought.
O you are not lying in the wet clay,
For it is a harvest evening now and we
Are piling up the ricks against the moonlight
And you smile up at us – eternally.
Memory Of My Father
by Patrick Kavanagh
Every old man I see
Reminds me of my father
When he had fallen in love with death
One time when sheaves were gathered.
That man I saw in Gardner Street
Stumbled on the kerb was one,
He stared at me half-eyed,
I might have been his son.
And I remember the musician
Faltering over his fiddle
In Bayswater, London,
He too set me the riddle.
Every old man I see
In October-coloured weather
Seems to say to me:
“I was once your father.”
After The Funeral
by Dylan Thomas
After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave’s foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout’
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,
I stand, for this memorial’s sake, alone
In the snivelling hours with dead, humped Ann
Whose hodded, fountain heart once fell in puddles
Round the parched worlds of Wales and drowned each sun
(Though this for her is a monstrous image blindly
Magnified out of praise; her death was a still drop;
She would not have me sinking in the holy
Flood of her heart’s fame; she would lie dumb and deep
And need no druid of her broken body).
But I, Ann’s bard on a raised hearth, call all
The seas to service that her wood-tongud virtue
Babble like a bellbuoy over the hymning heads,
Bow down the walls of the ferned and foxy woods
That her love sing and swing through a brown chapel,
Blees her bent spirit with four, crossing birds.
Her flesh was meek as milk, but this skyward statue
With the wild breast and blessed and giant skull
Is carved from her in a room with a wet window
In a fiercely mourning house in a crooked year.
I know her scrubbed and sour humble hands
Lie with religion in their cramp, her threadbare
Whisper in a damp word, her wits drilled hollow,
Her fist of a face died clenched on a round pain;
And sculptured Ann is seventy years of stone.
These cloud-sopped, marble hands, this monumental
Argument of the hewn voice, gesture and psalm
Storm me forever over her grave until
The stuffed lung of the fox twitch and cry Love
And the strutting fern lay seeds on the black sill.
A Memory Of June
by Claude McKay
When June comes dancing o’er the death of May,
With scarlet roses tinting her green breast,
And mating thrushes ushering in her day,
And Earth on tiptoe for her golden guest,
I always see the evening when we met–
The first of June baptized in tender rain–
And walked home through the wide streets, gleaming wet,
Arms locked, our warm flesh pulsing with love’s pain.
I always see the cheerful little room,
And in the corner, fresh and white, the bed,
Sweet scented with a delicate perfume,
Wherein for one night only we were wed;
Where in the starlit stillness we lay mute,
And heard the whispering showers all night long,
And your brown burning body was a lute
Whereon my passion played his fevered song.
When June comes dancing o’er the death of May,
With scarlet roses staining her fair feet,
My soul takes leave of me to sing all day
A love so fugitive and so complete.
Memory
by William Wordsworth
A pen–to register; a key–
That winds through secret wards
Are well assigned to Memory
By allegoric Bards.
As aptly, also, might be given
A Pencil to her hand;
That, softening objects, sometimes even
Outstrips the heart’s demand;
That smooths foregone distress, the lines
Of lingering care subdues,
Long-vanished happiness refines,
And clothes in brighter hues;
Yet, like a tool of Fancy, works
Those Spectres to dilate
That startle Conscience, as she lurks
Within her lonely seat.
Oh! that our lives, which flee so fast,
In purity were such,
That not an image of the past
Should fear that pencil’s touch!
Retirement then might hourly look
Upon a soothing scene,
Age steal to his allotted nook
Contented and serene;
With heart as calm as lakes that sleep,
In frosty moonlight glistening;
Or mountain rivers, where they creep
Along a channel smooth and deep,
To their own far-off murmurs listening.
A pen–to register; a key–
That winds through secret wards
Are well assigned to Memory
By allegoric Bards.
As aptly, also, might be given
A Pencil to her hand;
That, softening objects, sometimes even
Outstrips the heart’s demand;
That smooths foregone distress, the lines
Of lingering care subdues,
Long-vanished happiness refines,
And clothes in brighter hues;
Yet, like a tool of Fancy, works
Those Spectres to dilate
That startle Conscience, as she lurks
Within her lonely seat.
Oh! that our lives, which flee so fast,
In purity were such,
That not an image of the past
Should fear that pencil’s touch!
Retirement then might hourly look
Upon a soothing scene,
Age steal to his allotted nook
Contented and serene;
With heart as calm as lakes that sleep,
In frosty moonlight glistening;
Or mountain rivers, where they creep
Along a channel smooth and deep,
To their own far-off murmurs listening.
Source: Poemhunter
https://www.poemhunter.com/